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Text in English & German. This is a photographic masterpiece that explores the vanishing art of Kalinga tribal tattooing in the remote mountains of the northern Philippines. Combining the visionary talents of numerous international photographers and the words and stories of nearly fifty Kalinga elders, Kalinga Tattoo is the first book to tell the story of this incredibly rich tradition of indigenous body art that is believed to be 1,000 years old. Here's a rare trove of tattoo motifs, variations and interpretations which can reveal new perspectives for every interested tattooist. The journey begins with tattoo anthropologist Dr Lars Krutak's first encounter with the last Kalinga tattoo artist, the 91-year-old Whang-Od, and is followed by the moving poetry and song of tattooed Kalinga author and elder Natividad Sugguiyao. Sugguiyao's narratives provide an insider's perspective regarding the history and significance of Kalinga batok (tattoo), and they establish new ways of reading the messages encoded in this ancient art form of the skin. Krutak continues with an historical exploration entitled "History of Kalinga Tattoo Art" that focuses on those cultural institutions that were deeply intertwined with Kalinga tattooing itself. Dramatic images of tattooed men and women taken over the last 100 years and colourful village scenes and landscapes accentuate the chapter. Lars' detailed study into the significance of Kalinga tattooing proceeds with an illustrated discussion of the artistic motifs that comprise Kalinga tattoo art. This chapter, "Kalinga Tattooing Motifs" is an absolute must read for anyone seeking knowledge (spiritual or otherwise) of the real roots of tribal tattooing practices that are largely disappearing around the world today. Because warrior culture, headhunting, and religious ritual permeated nearly every facet of Kalinga tattooing practice, "Warrior Culture of the Kalinga" focuses on these customs. Krutak recounts his experiences with Kalinga warriors (old and new) and breathes life into long-forgotten Kalinga literature revolving around human sacrifice and other ceremonies associated with the human hunt. The nature of the research is outstanding and wonderfully detailed, and the words (and actions) of his Kalinga informants are truly unforgettable. What follows these texts is a remarkably beautiful photographic exhibition of the last generation of Kalinga warriors in vivid colour who earned their tattoos on the field of battle. "The Last Kalinga Tattoo Artist" looks at the life and work of Whang-Od, the last Kalinga mambabatok or tattooist, who dedicated her life to the art of her ancestors. Krutak, who lived with the master artisan for nearly two weeks, exposes for the first time in history the biography of this unique woman who for over seventy years has plied the skins of countless generations of Kalinga men and women with thorns and other natural tools. Finally, "Mark of the Four Waves Tribe" documents the artistic achievements of a growing number of young Filipino-Americans who since 1998 have each made a conscious individual effort to revive the indigenous tattooing traditions of the Kalinga and other tribal peoples of the Philippines. Whether through hand-tapping, hand-poking, or machined work, the Tribe's dedication to "The Movement" has resulted in the revitalisation of timeworn tribal designs with new design concepts that are beginning to approach the longstanding accomplishments of Polynesian artists who guided the tattoo renaissance across the Pacific in the early 1980s. For Krutak and Sugguiyao, the Tribe represents the very best of contemporary tribal tattoo culture because they dynamically express the enduring strength of time-tested indelible traditions that firmly anchor indigenous and modern concepts of identity on the skin for all to see.

• Sales Rank: #1614349 in Books
• Published on: 2010-08-02
• Original language: English, German
• Dimensions: 12.44" h x 2.01" w x 9.92" l, 6.23 pounds
• Binding: Hardcover
• 424 pages

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14 of 15 people found the following review helpful.
Kalinga Tattoo Culture
By Dr. Christopher Helland
Lars Krutak and the photographers documenting the tattoo culture of the Kalinga people have done an amazing job of providing a rich and "thick" description of this practice. The book is stunningly beautiful--filled with cultural stories and tattoo practices that are disappearing. Kudos to Lars and the team that put it together.

4 of 4 people found the following review helpful.
A Work of Art about Works of Art
By AcleraTactical
I'll admit this book comes with a hefty price tag, however if you're really interested in the subject matter or planning to get some Filipino tattoos yourself then I highly recommend it.

The delivery was nice and the book came sealed in plastic when I got it. The actual book is very nicely put together with quality pages and a strong hard cover, in the same way other coffee table or tattoo gallery books are made. There tons of full color high quality photos alongside a lot of good educational content throughout. Again this book is worth the money if you are truly dedicated to the subject matter. So if you are going to get tattoos like these, be smart and study what they are all about first!

8 of 9 people found the following review helpful.
Worth the money
By J.Lopez
Beautifully written. I was hesitant about spending this much on a book, but once I saw it, I was not disappointed. The pages are thick and made of good quality, heavy duty paper. This could easily be used as a textbook and will make a great coffee table book. Amazing pictures throughout. A very inspiring book. I look forward to passing this book on to the generations after me.

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• Sales Rank: #3824799 in Books
• Published on: 2015-12-18
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .50" w x 5.00" l, .54 pounds
• Binding: Paperback
• 220 pages

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0 of 0 people found the following review helpful.
great book
By Osiris
unlike so many other spook books this one elaborates on....well afterlife wisdom if you know what I mean. More than just a
evidence search it speaks toward why we should care once you know...

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• Sales Rank: #881870 in Books
• Published on: 2011-01-01
• Original language: Spanish
• Number of items: 1
• Dimensions: 6.50" h x .98" w x 5.51" l,
• Binding: Paperback
• 400 pages

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0 of 0 people found the following review helpful.
libro la biblia del reiki
By shey
Excelente libro muy util y facil de leer y comprender. Lo recomiendo a todos los que deseen ampliar su conocimiento en reiki

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Ever since its discovery by traders and seamen in the Early Modern age, the world of Orient has been an important source of cultural inspiration for Western civilization. Geographically so near, culturally so different, the countries of the Arabian Peninsula and North Africa have influenced both the Oriental vogue of the baroque period and also the popular Oriental genre in the fine arts. At the same time, the mysterious aura of the Orient has repeatedly served as a romantically idealized counterpoint and escape route for European fantasies and longings. From the early turquets to the glory of the 19th century to the Tunisian images of August Macke and Paul Klee, this elaborately appointed volume presents the history of Oriental images in painting and follows the traces of a phenomenon that remains fascinating even today.

• Sales Rank: #1664782 in Books
• Published on: 2013-08-15
• Original language: English
• Number of items: 1
• Dimensions: 12.25" h x 10.75" w x 1.50" l, 6.10 pounds
• Binding: Hardcover
• 300 pages

About the Author
G�rard-Georges Lemaire is a French art historian.

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7 of 7 people found the following review helpful.
A Classic - Back in Print at a Bargain Price
By jpcooper
The best book on Orientalism currently available in this price range. This is a larger, hardbound edition of the same volume published in 2009 in softcover (also by Ullmann). I have the softcover edition and was impressed enough with that work to order this newer hardcover. This book contains about as good a selection of Orientalist art as one is likely to find. There are a few other noteworthy Orientalist, coffee-table books out there but be forewarned as to sticker shock ($100 - $500 range).

I have no reservations, in balance, recommending this book to others, but it's not without a few shortcomings. The final chapter (some fifty pages) consists of paintings from the modern era. I am sure it was the intent of the author to encompass the full breadth of Orientalist Art but the paintings from this later period don't remotely compare to the quality of that genre's Golden Age. I can't help but think of what was left on the cutting room floor to make room for those less worthy additions.

The quality of the reproductions is a little inconsistent in places. Some of the images are a bit washed out. My last quibble is more of a personal peeve but I really prefer to see these oversized art books issued with dust jackets. They enhance the appearance of the book and really do protect the boards from soiling. This edition has a four inch paper band that is more of a nuisance than anything else. The book was otherwise well bound and the pages were a perfect weight.

Again, in spite of my criticisms, I would have no reservations recommending this book. What they did right far outweighs any of my complaints. I own several of Ullmann's enormous, architectural productions and the images there are breathtakingly clear. I may be missing something here but it would seem as if some of that quality should be able to trickle down to its poorer relations. I guess I have just answered my own question.

BTW - Kudos to Amazon, the book arrived in perfect condition.

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[G449.Ebook] Download PDF Cairo: Memoir of a City Transformed, by Ahdaf Soueif

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From the best-selling author of The Map of Love, here is a bracing firsthand account of the Egyptian revolution—told with the narrative instincts of a novelist, the gritty insights of an activist, and the long perspective of a native Cairene.
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Since January 25, 2011, when thousands of Egyptians gathered in Tahrir Square to demand the fall of Hosni Mubarak’s regime, Ahdaf Soueif—author, journalist, and lifelong progressive—has been among the revolutionaries who have shaken Egypt to its core. In this deeply personal work, Soueif summons her storytelling talents to trace the trajectory of her nation’s ongoing transformation. She writes of the passion, confrontation, and sacrifice that she witnessed in the historic first eighteen days of uprising—the bravery of the youth who led the revolts and the jubilation in the streets at Mubarak’s departure. Later, the cityscape was ablaze with political graffiti and street screenings, and with the journalistic and organizational efforts of activists—including Soueif and her family.
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In the weeks and months after those crucial eighteen days, we watch as Egyptians fight to preserve and advance their revolution—even as the interim military government, the Supreme Council of the Armed Forces, throws up obstacles at each step. She shows us the council delaying abdication of power, undermining efforts toward democracy, claiming ownership of the revolution while ignoring its martyrs. We see elections held and an Islamist voted into power. At each scene, Soueif gives us her view from the ground—brave, intelligent, startlingly immediate. Against this stormy backdrop, she interweaves memories of her own Cairo—the balcony of her aunt’s flat, where, as a child, she would watch the open-air cinema; her first job, as an actor on a children’s sitcom; her mother’s family land outside the city, filled with fruit trees and palm groves, in sight of the pyramids. In so doing, she affirms the beauty and resilience of this ancient and remarkable city. The book ends with a postscript that considers Egypt’s more recent turns: the shifts in government, the ongoing confrontations between citizen and state, and a nation’s difficult but deeply inspiring path toward its great, human aims—bread, freedom, and social justice. In these pages, Soueif creates an illuminating snapshot of an event watched by the world—the outcome of which continues to be felt across the globe.

• Sales Rank: #982875 in eBooks
• Published on: 2014-01-07
• Released on: 2014-01-07
• Format: Kindle eBook

From Publishers Weekly
What novelist and translator Soueif (The Map of Love; Mezzaterra) saw during the Egyptian revolution of 2011 was no less than the upheaval of an entire order of Egyptian society. Hailing from a generation that tried and failed to bring down the Mubarak dictatorship years before, Soueif rushed back to her native city from a literary festival in India on January 25, 2011, after she heard news of unrest erupting in Tahrir Square. She affectionately refers to the now world-famous square as the Midan (from its Arabic name: Midan el-Tahrir) throughout her diary of the decisive first 18 days, which is followed by accounts tracking later events during the year, such as the elections. Her grown children and nephews and nieces raced home, some from abroad, joining activist siblings, friends, aunts, and other relatives. They participated in spontaneous street demonstrations and provided aid to protestors, as well as setting up film and Internet stations. Soueif writes of her tremendous pride in the younger generation, who faced down government thugs, snipers perched on buildings, tanks, and security police. Many received beatings, or were imprisoned (her own nephew, Alaa, was jailed) or, in the case of 843 protesters, killed. The author captures beautifully her anguish at Cairo's degradation during the years of dictatorship and Mubarak's calculated sowing of division among the people. Yet with the recent violent eruptions in the country, Soueif's work as an eloquent witness is a work in progress. Agent: Andrew Wylie, Wylie Agency. (Jan.)

From Booklist
Soueif, author of the best-selling The Map of Love, provides a timely updated edition of her 2012 memoir, Cairo, My City, Our Revolution. Though the bulk of her eyewitness recollections understandably focus on the 18-day revolution that rocked Cairo in 2011, she also interweaves affectionate and peaceful memories of Cairo, Egypt, and her family into the fiery narrative. As an active participant and a keenly observant chronicler of the impassioned rebellion, her firsthand account offers insight into the heady days of the original revolution and its tumultuous aftermath. As Egyptian citizens continue to live the revolution, she provides a uniquely personal perspective on both the events of 2011 and the ensuing years. Contemporaneous food for thought in light of the current turmoil in the Middle East. --Margaret Flanagan

From Bookforum
Most of Ahdaf Soueif's new book, Cairo, participates wholeheartedly in this celebratory, utopian account of the eighteen-day overthrow of Egyptian dictator Hosni Mubarak and its aftermath. But as Soueif traces the still-unresolved and unstable arc of Egypt's unfolding saga, she comes away [...] with a much more subdued evaluation of how this festival may end. [...] While the book's indiviudal parts can make for an incomplete and frustrating vantage on the events that have lately shaken Egypt's political order and civil society to their core, Cairo is nonetheless greater than the sum of its diary entries. [...] The lasting value of Cairo stems from the author's ability to precisely and accessibly articulate the irreversible cultural changes that have suddenly transformed the public's relationship to authority in Egypt and some other Arab states. —Hussein Ibish

Most helpful customer reviews

4 of 4 people found the following review helpful.
An up-close look at an event US media did not do a good job covering
By Nathan Webster
It's important to know that author Ahdaf Soueif is not attempting to present an "objective" narrative - she is 100 percent invested in the success of the popular uprising that led to Egyptian President Hosni Mubarak's resignation. That's not a negative in anyway, simply her strong point of view.

While I had some knowledge of the events described here, most of my information came from the generally weak coverage of the US media, which focused on a few big events without much nuance. Since Mubarak was a US "ally" for many years, and our media presented his downfall as a positive event, I was left to wonder why we considered him a good guy in the first place.

Soueif's narrative describes an uprising from the ground floor, and it's a sweeping, often confusing series of events. The government-backed militias willfully shoot and beat people, and Soueif makes pains to draw a distinction between the "good" military (at first) and the "bad" militias. By standing aside, the military enabled the uprising to gain a foothold and drive Mubarak out.

In a 'meet-the-new-boss' style, the post-Mubarak transitional military government is hardly any less brutal, using arrests and beatings of protesters to maintain control. So the protesters aren't fighting just Mubarak, but the entire system, and the system isn't going anywhere.

I had little idea how much Mubarak was despised - although Soueif is focused on her point of view. Just like the Shah of Iran before him, we here in the US often think that because foreign leaders are "on our side" that means the people are too, and that's clearly not the case here. Like most despots, it seemed Mubarak and his cronies did their best to steal and loot the country, and only occasionally throw a few pittances down to the citizens.

I grew a little weary of Soueif's style of often using "we" as a narration - she's doing it to show the scope of the revolution, and how she was part of this vast collective, but it just seemed precious to me (even though I use it too, so maybe I'm internalizing).

This isn't a history of "Cairo," but it is the promised "memoir of a city transformed." Like other reviews have pointed out, this is not definitive. It ends on a necessarily ambiguous note, since the Muslim Brotherhood won the election (that many voters didn't participate in) and we know that the military coup has already taken them out of power.

This narrative shows the hopeful idealism and effort of 'regular' Egyptians to throw out one venal group of politicians, but also shows how difficult it is to actually replace a power structure. We see it in the US all the time - we vote based on a couple hot-button issues, but don't pay any attention to the 99 percent of decisions politicians actually make that benefit their cronies first, and us last. But since we're fat and lazy, it's very unlikely that we'll follow the Egyptians lead in actually doing anything about it. If Mubarak was smart, he would have made an effort to make sure everybody had cable TV and lots of junk shows. But I digress.

Soueif's narrative will fill in a lot of blanks left by media coverage of these events and make a reader appreciate the "little people" behind the scenes. It was a brutal, chaotic time....it's still unclear what Egypt will be left with.

1 of 1 people found the following review helpful.
"I am not unique, but Cairo is"
By S. McGee
In many ways, this is less of a chronicle of a revolution won and then lost, but of a lifelong, unquenchable love of one particularly eloquent writer for the city of her birth. That it happens to also be the single best chronicle of the events of early 2011 that I have yet read (not being able to read Arabic) is simply the icing on the cake.

Divided into four parts, novelist and essayist Ahdaf Soueif moves back and forth between the mesmerizing and compelling events of January/February 2011 that culminated in the ousting of longtime Egyptian president Hosni Mubarak, and her later assessment of the political situation six months to 18 months down the road. The result -- no spoilers needed, as anyone can read the headlines -- is one of disillusionment. What makes this a worthwhile and often fascinating chronicle, however, is Soueif's personal connection to events: her family members are intimately engaged in the struggle to create some kind of secular democracy in the wake of Mubarak's kleptocracy. The jury is out on whether that attempt will prove futile -- clearly, Soueif has her own view of the situation.

For me, the standout segments are the first and third, devoted to the events themselves, the 18 days that led to "victory". It's a great reminder of how protests can evolve almost effortlessly into revolts and ultimately revolutions, even when the protagonists themselves have more limited objectives. But Mubarak's departure was just the first step, and Soueif's second and fourth segments, devoted to the months and years that followed, are a more sobering indictment of the divisiveness that has rocked Egypt since then. Winning a revolution, it seems, is not the same as creating a new society.

This wasn't quite a five-star book for me (although it came close) for two reasons. Firstly, while Soueif does a marvelous and eloquent job of the reportage, and of recounting her family's lifelong ties to Cairo throughout its history, at times her analytical approach seemed too idealistic and even naive. After decades of totalitarian rule, without a tradition of the kind of democracy she believed in, with the sole organized opposition being the Muslim Brotherhood, why does she sound so startled by the outcomes and alternatives? What makes the reportage so vivid and dramatic -- her familiarity with the subject and the engagement of friends and family in one wing of the struggle -- also becomes a handicap, to at least some extent. It's as if she can't understand why her fellow-Egyptians don't get it.

This could have been better had Soueif found a way to step back and be even slightly more dispassionate and analytical. What does it mean to succeed in an immediate objective -- and then to build on it, rather than to cede control to others? What does it mean to "win" a revolution? She's a thoughtful and insightful observer who didn't go quite far enough to make this the brilliant book that it had the potential to be. But that doesn't mean it isn't well worth reading. 4.5 stars.

1 of 1 people found the following review helpful.
Gripping first-hand account of the Egyptian Revolution
By Q. Publius
Twenty years ago the author was asked to write a book about her beloved birthplace, Cairo. She resisted, but when thousands of Egyptians gathered in Tahrir Square in January 2011, Ahdaf Soueif was among them, and it was there she felt she had to write her story of the Revolution, the passion, violence and traumatic political events that took place in the city of her birthplace. This book is a memoir of sorts, but also a story of current political events, a story that is still unfinished today. She published a book in the United Kingdom by the name of Cairo: My City, Our Revolution, and it detailed events up to October 2011. But with events still unfolding after the Revolution, this American version of Soueif's book includes the period of about a year after 2011. Much of the book deals with eighteen days of events from January to February 2011 before the overturning of the Mubarak regime. Throughout the volume, Soueif writes a little of her childhood, the places and events in her life that shaped her as a person and led her to later embrace the Revolution. The book is detailed, many of the events described are not what one would read about in the Western press. I did not realize the extent of the violence and torture that was perpetrated against the Egyptian people by the police and the military and what was really behind the politics of the Muslim Brotherhood. Soueif was involved in the thick of it all. Is she biased toward the Revolution? Absolutely. I would say she definitely is, so one must keep that in mind when reading this book. You are reading only one side of the story. The end of the book deals with the elections, the dissolution of Parliament and the first few months of Muhammad Morsi's presidency. But Soueif states that the Revolution is ongoing, the story is not finished. Egyptians have a long way to go for everyone to have equal rights, individual freedom and to obtain a higher standard of living. She writes that protests by oppressed peoples are going on now around the world, not just in the Arab countries and they will continue to flourish. Even in Egypt, the political wind is still very uncertain.

Some good maps of Cairo are included in the book so that reader will have an idea of the locations of the places that Soueif writes about. Also, Soueif provides what she calls "A brief and necessary history"--a few pages of the history of Egyptian government from 1517 to 2011 which provides the reader with a good background.

I would recommend this book for anyone interested in modern Egyptian history and political science and politics in the Arab world in general and for those who want a deeper understanding of how a people can hold democratic elections and then shortly afterward, embrace a political Revolution.

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[V371.Ebook] Ebook Dabney's Defense of Virginia and the South, Annotated., by Robert Lewis Dabney

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This unique republishing of the 1867 R. L. Dabney classic apologia for the South has been annotated by editor Gary Lee Roper, a former pastor and Christian educator. English meanings for the many Latin phrases used by Dabney are given for greater understanding of Dabney's thesis. In addition, a related bonus essay is included by the editor. Reason as to why R. L. Dabney wrote this book, and why it is considered his premier work are given.
In this apologia, Dabney tells why he thinks that abolitionism was nothing more than a type of unbelief – of man standing in judgment of God’s Word – and that that unbelief had been spreading and growing since the Jacobinist French Revolution.

• Sales Rank: #582560 in eBooks
• Published on: 2013-02-04
• Released on: 2013-02-04
• Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Wonderful book!
By Rudy Review
This book should be read by every honest professing Christian, by every honest American in the te true history of the so called Civil War; and especially by every true Southerner!

0 of 0 people found the following review helpful.
Excellant book if you are trying to understand why Chrisitians of the 19th supported slavery
By William
This is the best book writen from a theological few on the support of slavery from the southern viewpoint. I found that I disagreed with some of his conclusions, but to get a better picture of the Chrisitian mindset in the south at that time there is no book better.

0 of 2 people found the following review helpful.
Written after the Civil War to justify slavery. First ...
By dan
Written after the Civil War to justify slavery. First an attempt at Biblical justification. Rejects idea that the secular order, including slavery, was neither approved nor opposed by Bible. Notes that slave trade to America was entirely conducted from New England area. One absurd distinction in book: slavery did not involve ownership of the individual but only of what they produced.

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[W552.Ebook] Ebook Chosen: Chronicles of an Alien Abductee, by Mr Byron W Lacy

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Can you imagine the helplessness and fear that a five-year-old would feel when he's first visited by extraterrestrials? How about the look on his parents' faces when he confesses his alien encounter?

Chosen: Chronicles of an Alien Abductee is Byron W. Lacy's firsthand account of what modern science insists is only folklore.

The first encounters come when he is young—with "little men" entering the room as he hugs his teddy bear. They masquerade as cartoon characters to ease his concern, a dancing Captain Hook—minus the hook—joining his comrades. Future visits lead to psychic connections with his visitors.

Admitting such encounters takes courage, especially when similar comments by a family member placed her in a mental hospital. But Lacy lays it all out on the table as he details what it's like to be an alien abductee.

Chosen: Chronicle of an Alien Abductee isn't just for the disbelievers. It's a free discussion of Lacy’s experience—one meant to encourage other abductees through their own moments of skepticism both from others and within.

Discover the truth, and let it set you free.

• Sales Rank: #896157 in Books
• Published on: 2015-10-27
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.29 pounds
• Binding: Paperback
• 442 pages

Review
A far-out, disconcertingly readable memoir that flatly declares everything about aliens you read online or see dramatized on TV is true. -Kirkus Reviews

" Byron Lacy is a brave soldier in the battle for disclosure." MichaelAustin Melton, field investigator of abductions for MUFON , Part owner and host of �Starborn Support Radio.

From the Back Cover
Straightenup. That's Byron W. Lacy's advice from his dad when he confesses his alienencounters. No longer willing to hold in the truth, Lacy now tells all in Chosen: Chronicles of an Alien Abductee.
�
From1955 on, Lacy remembers numerous contacts with extraterrestrials. He recallsbeing a young boy, telling his "little man" stories to his teddy bearand an unbelieving mother--and later communicating with the visitors telepathically.
�
Boththe physical and emotional impact of his experiences, as well as how he deals dailywith this knowledge, are all shared in a candid fashion meant to encourageothers. It isn't a book of proof--others already do that--but one of hope forfellow abductees trying to find their own way.
�
There's life outthere. Lacy knows it. And your view of reality won't be the same after reading Chosen: Chronicles of an Alien Abductee.

About the Author

Byron W. Lacy was first visited by aliens when he was five years old—forever changing his life. He has lectured at the Houston UFO Network about how aliens saved his life and works to help other abductees cope with the phenomenon.

Lacy, who holds degrees in English and art, has exhibited in galleries throughout the United States. He’s worked as a summer camp director, English and art teacher, freelance artist, and an investigator for Texas Child Protective Services.

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6 of 6 people found the following review helpful.
Good read
By Doug Johnson
This is a great book on the subject of abduction from a personal point of view. I can only imagine how many others who have experienced abduction have been terrified to the point of never disclosing it to anyone, let alone writing a book about it. It is an excellent book that I highly recommend.

5 of 5 people found the following review helpful.
A great book! I think he is very brave for ...
By Megzzzzz
A great book! I think he is very brave for talking about his experiences. I think their are many of us who are looking for answers to our own strange experiences. Imagine if we all were as brave and shared our own experiences more freely how much more we might learn. Loved it !

5 of 5 people found the following review helpful.
Must read!
By indigopurplecat
This is an awesome book. Can't put it down!!! Love it!

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[Z755.Ebook] Download Divided Cities: Partition and Its Aftermath in Lahore and Amritsar (The Subcontinent Divided: A New Beginning), by Ian Talbot

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Talbot studies the impact of the 1947 partition of the Punjabi cities of Lahore and Amritsar, providing important comparative insights into the processes of violence, demographic transformation, and physical reconstruction.

• Sales Rank: #5325394 in Books
• Published on: 2007-01-04
• Original language: English
• Number of items: 1
• Dimensions: 5.90" h x .90" w x 8.90" l, .79 pounds
• Binding: Hardcover
• 224 pages

About the Author
Ian Talbot is Professor of History at the University of Southampton. His recent publications include The Deadly Embrace: Religion, Politics and Violence in India and Pakistan 1947 2002 (ed., 2007) and Divided Cities: Partition and its Aftermath in Lahore and Amritsar 1947 1957 (2006).

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1 of 5 people found the following review helpful.
Telling a Slanted History
By Parul Kapur
Ian Talbot will mislead a lay reader into a terrible morass of distortions about India's Partition with this book. His flagrantly biased view obscures the benefit of the information he offers those interested in modern Indian history. Talbot exonerates Muslims and repeatedly blames Hindus for the violence of Partition by giving few examples of Muslim violence and offering endless examples of Hindu and Sikh attacks on Muslims--that's called a lie by omission, Mr. Talbot. Thus,instead of describing the truth of Muslim aggression to drive Hindus out of West Punjab and Hindu retaliation against that, he describes its reverse: untruth as history. His former student Yasmin Khan's much acclaimed "The Great Partition" offers a very similar style of dissembling. I wonder if they will spawn an entire western school of rewriting Partition history through Muslim-apologist eyes.It's not that Talbot doesn't know his history; he just chooses to tell one side of it. It's the Sikhs and Hindus mainly who are the villains of his Partition. How often he singles out the Sikh leader Tara Singh for making inflammatory statements, and says little about Jinnah, as if the Muslim League head, vigorously lobbying to create Pakistan, and allowing his henchmen to unleash a torrent of violence across Punjab to drive Hindus out, were some timid little mouse making no noise at all. It's the Hindus and Sikhs out hurting Muslims in his misrepresentation of history, and the British police, who so openly sided with their largely Muslim forces, allowing Hindus to be slaughtered, who are let off the hook. As a mere 'transitional' force, says Talbot, how could British authorities possibly do anything to stop the carnage? Dereliction of duty, and abdication of responsibility never had a better excuse-maker. But Talbot isn't done with just that lie; he then reprehensibly compares the inaction of British authorities to a host of incidents where police in independent India have failed to act. Remember, in his view: India, bad. Pakistan, good. Thus no incidents of Pakistan police turning a blind eye to crime come to his mind. Talbot is a dangerous and scurrilous breed of historian - one who takes the facts, picks a few to put on the table, hides the rest in his pocket and claims he's giving us the true story. Claims it's history. What an ignoble scholar. Don't the editors at Oxford University Press know anything about the subject they're publishing? Or do they simply share Talbot's prejudices?

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[G546.Ebook] Fee Download How To Realize Emptiness, by Gen Lamrimpa

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Realizing emptiness or grasping the true nature of reality lies at the heart of the Buddhist path. In this book, Gen Lamrimpa offers practical instruction on Madhyamaka, insight meditation aimed at realizing emptiness. Drawing on his theoretical training as well as his extensive meditative experience, he explains how to use Madhyamaka reasoning to experience the way in which all things exist as dependently related events.

• Sales Rank: #1471362 in Books
• Published on: 2010-09-16
• Released on: 2010-09-16
• Original language: English
• Number of items: 1
• Dimensions: 8.53" h x .38" w x 5.53" l, .42 pounds
• Binding: Paperback
• 136 pages

Review
"Written by a genuine Buddhist master, How to Realize Emptiness gives accurate directions to explore the nature of reality and come to the correct view of the Middle Way."—Ven. Thubten Chodron, author of Buddhism for Beginners

"Not quite emptiness made easy—an impossibility—but it is at least emptiness made comprehensible."—Dharma Life

"An important commentary clarifying the Madhyamika view and synthesizing venerated scriptural references, enhancing understanding of the view of emptiness. Ven. Gen Lamrimpa's elucidation reflects his remarkable practice and life."—Tenzin Kacho, resident teacher of Thubten Shedrup Ling and Buddhist Chaplain with the United States Air Force Academy

"The teachings are profound and clearly guide one toward realizing the nature of emptiness. . . . Each chapter is a gem detailing in clear language the apparent nature of ignorance and its dependence on the individual for its existence."—Inner Directions

"Gen Lamrimpa has a down-to-earth approach to this difficult subject which is immediately accessible to beginning students, further clarified by B. Alan Wallace's translation. . . . Gen Lamrimpa's teachings, which combine analysis with practical exercises, are redolent with compassion and insight."—Mandala Magazine

"Some of the material is rather technical and merits several readings, but it is effort that pays off. In less than one hundred pages, Gen Lamrimpa manages to give the reader . . . a practical presentation of the reasoning commonly employed in Tibetan Buddhism to experience the way in which all things exist as dependently related events. In addition to the scholarly presentation of emptiness, this book also contains a brief but illuminating biography of Gen Lamrimpa and two appendixes; one on Dzogchen and the other on Madhyamaka and Dzogchen. That a traditionally trained Gelugpa scholar monk should take time out to discuss Dzogchen is refreshing and shows that Gelugpas are not necessarily in disagreement with the approach of Dzogchen. Perhaps it is not so surprising when one considers that Gen Lamrimpa is not just a scholar monk but a meditator with decades of experience much of it in retreat."—Buddhism Now

About the Author
Gen Lamrimpa, born in Tibet in 1934, spent most of his life in meditative retreat in Dharamsala, India. He is the author of Calming the Mind, one of the clearest books in English on shamatha meditation.

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13 of 13 people found the following review helpful.
In depth explanation of what is meant by "emptiness"
By Brian Gladu
The concept of "emptiness" is mentioned a lot by Buddhist teachers but it is often given a short explanation that remains cryptic to someone that has not yet realized it experientially. Whenever I read these explanations I struggled to understand, for instance, how we can say "I" or the "self" doesn't exist or how we can say that all phenomena is empty of inherent existence. These claims seem to defy logic, intuition, and experience. The short treatment is unfortunate because the concept is so central to the Buddha's teachings and personal progression along the path.

In this book Lamrapa breaks the concept down into somewhat excruciating detail. This isn't a book you can skim or read through quickly. It is dense and I found myself restarting from the beginning several times to make sure that I was grasping everything. But, it solidified my understanding many times over. In the past I would ponder the concept and try to guess at it's application and exact meaning but never felt confident that I was interpreting and applying it correctly. This detailed account was more helpful than anything else I've read on the topic and I would recommend it to anyone interested in the Dharma with the only warning being that it is concept heavy and you should come into it knowing that you'll have to intellectually struggle to grasp its meaning simply because of the complexity of the subject (the perceptual and conceptual mind interacting to create illusion and ignorance).

I am impressed with Wallace's skill as a translator. It's amazing how precise the language is and without a very accurate translation this book could easily have been more confusing than helpful. I'll definitely be seeking out other translations by him.

This book is in my top three Dharma books after having read probably 20 or so.

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