Download Orientalism: The Orient in Western Art, by Gérard-Georges Lemaire
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Orientalism: The Orient in Western Art, by Gérard-Georges Lemaire
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Ever since its discovery by traders and seamen in the Early Modern age, the world of Orient has been an important source of cultural inspiration for Western civilization. Geographically so near, culturally so different, the countries of the Arabian Peninsula and North Africa have influenced both the Oriental vogue of the baroque period and also the popular Oriental genre in the fine arts. At the same time, the mysterious aura of the Orient has repeatedly served as a romantically idealized counterpoint and escape route for European fantasies and longings. From the early turquets to the glory of the 19th century to the Tunisian images of August Macke and Paul Klee, this elaborately appointed volume presents the history of Oriental images in painting and follows the traces of a phenomenon that remains fascinating even today.
- Sales Rank: #1664782 in Books
- Published on: 2013-08-15
- Original language: English
- Number of items: 1
- Dimensions: 12.25" h x 10.75" w x 1.50" l, 6.10 pounds
- Binding: Hardcover
- 300 pages
About the Author
G�rard-Georges Lemaire is a French art historian.
Most helpful customer reviews
7 of 7 people found the following review helpful.
A Classic - Back in Print at a Bargain Price
By jpcooper
The best book on Orientalism currently available in this price range. This is a larger, hardbound edition of the same volume published in 2009 in softcover (also by Ullmann). I have the softcover edition and was impressed enough with that work to order this newer hardcover. This book contains about as good a selection of Orientalist art as one is likely to find. There are a few other noteworthy Orientalist, coffee-table books out there but be forewarned as to sticker shock ($100 - $500 range).
I have no reservations, in balance, recommending this book to others, but it's not without a few shortcomings. The final chapter (some fifty pages) consists of paintings from the modern era. I am sure it was the intent of the author to encompass the full breadth of Orientalist Art but the paintings from this later period don't remotely compare to the quality of that genre's Golden Age. I can't help but think of what was left on the cutting room floor to make room for those less worthy additions.
The quality of the reproductions is a little inconsistent in places. Some of the images are a bit washed out. My last quibble is more of a personal peeve but I really prefer to see these oversized art books issued with dust jackets. They enhance the appearance of the book and really do protect the boards from soiling. This edition has a four inch paper band that is more of a nuisance than anything else. The book was otherwise well bound and the pages were a perfect weight.
Again, in spite of my criticisms, I would have no reservations recommending this book. What they did right far outweighs any of my complaints. I own several of Ullmann's enormous, architectural productions and the images there are breathtakingly clear. I may be missing something here but it would seem as if some of that quality should be able to trickle down to its poorer relations. I guess I have just answered my own question.
BTW - Kudos to Amazon, the book arrived in perfect condition.
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